damali ayo: Realities of What It Means to be an Activist Artist

(originally posted 10/08 at wordpress)


by Kaleigh Vance

On Tuesday September 30th, PSU’sWomen’s Resource Center along with B-Word/Bitch Magazine presented the first lecture in the series “Feminist Perspectives in Pop Culture” with damali ayo’s “Shut Up and Change: A Life as a Social Change Artist.”

Portland resident ayo has touched the lives of others with her art for as long as she can remember. Her first piece of artwork, an intricately made 3D replica of the White House, displayed early on her interest in our country and society. Since then she has contributed numerous works of art that have been displayed in galleries around the world.

Among her well known works of art is “the little black dress project,” of which damali says, “re-discovers the emotional, sensual, erotic, violent, intellectual, playful realities of women's lives." This project includes various dresses made to reflect the diversity of women’s experiences.

Another powerful piece is ayo’s “flesh tone.” With this particular project, ayo went to a paint store that claimed to be able to match any tone. She asked the salesperson if they could really match any color, to which he replied yes. “Can you match this?” she asked, as she pointed to her arm. The salesperson responded by saying, “Yes, but I’ve never matched a flesh tone before.” This was the first time damali recalls her skin as being referred to as “flesh tone.” In “flesh tone” damali painted a variety of canvases with eight different shades of her skin along with the audio of her conversations with the people at the paint shop entitled “the paintmixers.”

Ayo is also known for her work concerning anti-racism. One of her thought provoking pieces regarding race is “living flag” in which she panhandles for reparations on the streets of various cities. “Living flag” has led to the establishment of “The National Day of Panhandling for Reparations,” which started on October 10, 2007. An additional work by ayo addressing racism is “shift: we are not done” which is “an exploration of contemporary racism using everyday objects and cultural icons.” At the beginning of her gallery openings for this project, she asked people to wear what one would assume at first glance to be name tags, but in actuality said, “Hi! My race is…” on which the attendant would write either “black,” “white,” or “other.”

damali ayo is truly an innovative and inspirational artist and person, making the first lecture of the “Feminist Perspectives in Pop Culture” truly a success. Please join us at the next lecture of the series featuring Susie Bright on November 18th.

Book Review: Dance Lest We All Fall Down by Dr. Margaret Willson

(originally posted 08/08 at wordpress)



review by kristyn stolze

Hey shesheet readers… I just finished a fascinating book a couple of weeks ago by an anthropologist living in Seattle, and I think you might enjoy knowing about it. You can order it through In Other Words and I highly recommend it.

The book, titled Dance Lest We All Fall Down, is by anthropologist Dr. Margaret Willson. It describes her experience living in Salvador, Brazil and developing the non-profit called Bahia Street alongside an incredible woman and friend of hers from Bahia named Rita Conceicao. These two women put their intelligent and creative minds together and came up with a way to make change available to young girls trapped in poverty in Salvador. After lots of conversation and research within the communities of Salvador, these women created a non-profit that provides young girls with an opportunity to get education otherwise unavailable to them. With often painful insight to the realities of these young girls’ lives, the book lets us see into some of the struggle involved in getting a non-profit started in a way that keeps the focus on the people it intends to serve.

Herstory: bell hooks

(originally posted 05/08 at wordpress)



by mae stephenson

bell hooks Born Gloria Jean Watkins on September 25, 1952 in Hopkinsville, Kentucky. bell hooks uses lowercase letters for her name to shift focus from the author to the ideas within her writing.

bell hooks is arguably one of the most important authors of our time. A self-described "Black woman intellectual, revolutionary activist," "cultural critic," and "advocate of feminism," hooks has authored over thirty books and dozens of articles focusing on the interconnectedness of race, class, and gender oppression and domination. She coined the phrase "white supremacist capitalist patriarchy" to describe these intersections. She also writes with an important and somewhat unique emphasis on self-love. In her dedication to ending class oppression she uses a writing style accessible for people outside of Academia and makes appearances on television and radio programs. Some of her titles include Ain’t I a Woman?: Black Women and Feminism, Feminist Theory: From Margin to Center, Feminism is for Everybody: Passionate Politics, Where We Stand: Class Matters, Teaching to Transgress: Education As the Practice of Freedom, and The Will to Change: Men, Masculinity, and Love. In addition, she's written a handful of children's books including Be Boy Buzz and Happy to be Nappy after having a difficult time finding children's books that didn't enforce patriarchal notions of boyhood and books that taught young black girls to be self-loving, respectively.